Albums
|
Ghost Layers: TAK plays MILLER (2020) New Focus Recordings "Collectively [TAK Ensemble] tackles this advanced and difficult-to-play music with ease, with dash and even a heroically dynamic demeanor. TAK happily specialize in the Contemporary of yesterday and today through commissions, collaborations and dedicated New Music concertizing. A listen or two will no doubt convince you that they are near-ideal proponents of the music at hand, stars in today's Modern firmament." – Classical-Modern Music Review |
|
Solo Performance
|
Dary John Mizelle, Excerpts from Transforms (1975–95)
Tilted Head Ensemble at The DiMenna Center for Classical Music (2017) |
|
|
Leah Asher, TRAPPIST-1 (2017) World Premiere
BLUEPRINTS Piano Series at Greenwich Music House (2017) |
|
|
Charles Ives, Piano Sonata No. 2, Concord, Mass., 1840–60
II. Hawthorne (1920) Spectrum, New York (2019) |
|
|
Frances White, Three Preludes for Piano (2017)
Random Access Music (2017) |
|
|
Michael Finnissy, Snowdrift (1972)
|
|
|
Kenta Masuda, Inside Sedimentation (2012) U.S. Premiere
Mise-En Festival (2012) |
|
|
Luciano Berio, Sequenza IV (1966)
TACTUS Ensemble (2013) |
|
|
Jesse Jones, Ephemera (2014)
soundSCAPE Festival, Maccagno, Italy |
|
Ensemble Performance
|
Mario Diaz de Leon, Sanctuary (2017)
TAK Ensemble at Roulette (2018) |
|
Peter Kramer, What Though That Light (2013)
TAK Ensemble at The Crypt, Church of the Intercession (2015) |
|
|
Elliott Carter, Sonata for Flute, Oboe, Cello, and Harpsichord (1952)
TACTUS Ensemble (2013) |
|
|
Kaija Saariaho, Cendres (1998)
Dead Language (2013) |
|
|
Mario Davidovsky, Piano Septet (2007)
TACTUS Ensemble (2011) |
|
|
George Crumb, Vox Balaenae (Voice of the Whale) (1971)
Dead Language (2013) |
|